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Written by: Sam Fragoso on June 20, 2011

June 20, 2011 | 6 comments | Featured, Old Format

The Conversation

* Note: This film is part of the 365 film guide I’m completing – the full list is on the tab bar above.

The Conversation is without a doubt one of the most subtle and spiritual films I’ve ever seen. Every frame in the picture is nuanced, juxtaposed with breathtaking cinematography and capped off by an unnerving leading performance by Gene Hackman. The movie is more than just a mystery, though. It’s ambitious enough to explore the difference between love and lust, right from wrong, dream from reality.

Director Francis Ford Coppola keeps the plot’s pace deliberate so we can learn more about the protagonist. We watch from an outsiders’ point of view. At first we’re confused, unsure of the film’s motives and desires. But ultimately, the complicated plot becomes clear. The Conversation embodies topics of privacy, morality, our conscience, responsibility and finally how paranoia can result in self destruction. It’s a sad, powerful affair.

Coppola’s film follows Harry Caul (Hackman), the ultimate invisible man. Caul is secretive and quiet legendary surveillance expert. His job is to watch and listen to people. But when it comes to human interaction, Harry makes Mark Zuckerberg look about as personable as Jimmy Stewart in Harvey. Though, this is to be expected from someone whose job is to remain silent and work in solitude.

When a powerful executive (Robert Duvall) hires Caul to spy on the executive’s wife, Harry, by sheer chance, realizes he’s now involved in something dangerous. Harry’s minutiae-trained mind tries to figure out what to do – separating paranoia from reality. The game is corruption and Harry is, for the first time in his career, outmatched.

Gene Hackman stars in Francis Ford Coppola's hidden-gem of a picture, "The Conversation"

We are able to dig deep into Coppola’s story not only because of his masterful storytelling, but by the craft behind Hackman’s tender, yet brooding performance. The calm camerawork by Dean Tavoularis and the beautiful, though unflinching, score by David Shire, also sets a pitch-perfect tone.

The Conversation is unlike any thriller you may see today. It’s smart, subtle, and thought-provoking. In a day and age when so-called “thrillers” such as the loud and bombastic “The Mechanic” or “Sucker Punch” cloud up the screen, Coppola’s tour-de-force is thoroughly refreshing.

Aside from a rather redundant opening half-hour and a couple undeveloped supporting characters (a fellow surveillance expert who wants to go into business with Harry and an assistant executive played by Harrison Ford), The Conversation is a near masterpiece. It’s a cerebral thriller that evokes emotions and questions — and resonates with you far after the credits.

In fact, the film leaves you with this thought: How come such a gifted director like Coppola doesn’t make movies of this magnitude anymore? To say the least, the 21st Century is in desperate need of films like The Conversation.

Rating: ★★★½

The Conversation

The Conversation (1974)

Cast: Gene Hackman, John Cazale, Allen Garfield

Director: Francis Ford Coppola

Writer: Francis Ford Coppola

Runtime: 113 minutes

Genre: thriller, mystery, drama

Trailer The Conversation

Comments

There are 6 comments for this post.

  1. Colin on June 21, 2011 9:17 am

    Fabulous, fabulous film, and of course one fifth of the John Cazale trivia question. I love every frame of this movie; I’m so glad you wrote about it!

  2. Duke on June 21, 2011 9:30 am

    It’s certainly very good – I’m glad you enjoyed the film and my review.

  3. James Blake Ewing on June 21, 2011 10:33 am

    It’s a fantastic film and one of my all time favorite thrillers because, like you said, of how subtle it is. The mood grows on you slowly, the tension isn’t heightened and the thrillers never feel cheapened by their delivery.

  4. Duke on June 21, 2011 1:18 pm

    I agree completley James, thanks for reading.

  5. Joel Burman on August 1, 2011 5:07 am

    Nice review. Unfortunately its not only Coppola that has changed the Hollywood system is in the way of this kind of films too. If something similar were/are to be produced today it would be as an independent film.

  6. Duke on August 1, 2011 3:41 pm

    Very true. Thanks for commenting.

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